{"id":2755,"date":"2023-06-13T17:55:06","date_gmt":"2023-06-13T15:55:06","guid":{"rendered":"http:\/\/www.brueckenmusik.de\/?p=2755"},"modified":"2025-04-30T14:07:09","modified_gmt":"2025-04-30T12:07:09","slug":"brueckenmusik-28","status":"publish","type":"post","link":"https:\/\/www.brueckenmusik.de\/?p=2755","title":{"rendered":"Br\u00fcckenmusik 28"},"content":{"rendered":"\n
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Br\u00fcckenmusik 28
28. Juli\u20136. August
2023

Black Quantum Futurism
MIRRORTIMEMIRROR<\/h1>\n\n\n\n

Deutzer Br\u00fccke, K\u00f6ln
Markmannsgasse
Toreinfahrt gegen\u00fcber vom Drumcenter Markmannsgasse 9-11 <\/em>
Anfahrt<\/a><\/p>\n\n\n\n

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Organisation:
Heike Ander, Friedemann Dupelius, Meryem Erkus, Sebastian von der Heide, Theresa Nink, Dirk Specht, Volker Zander<\/p>\n\n\n\n

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Gef\u00f6rdert von:
Kulturamt der Stadt K\u00f6ln und dem Ministerium f\u00fcr Kultur und Wissenschaft des Landes Nordrhein-Westfalen.<\/p>\n\n\n\n

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en\/ Black Quantum Futurism presents MirrorTimeMirror, a new three-channel sound installation with text, video, and image accompaniment at Br\u00fcckenmusik 28 in Cologne, Germany. Situated within the cavernous segments of the Deutzer Br\u00fccke, MirrorTimeMirror delves into the shadowy depths of time, sound, echo, and light and the ways these phenomena are modified, reversed, and manipulated in the reflection of a mirror to create an alternate reality that exists in its own temporal-spatial plane, parallel to our own.

Encountering reflections and refractions, distorted and reversed sound waves reminiscent of echoes bouncing off the reflective surfaces, visitors will be able to hear and see glimpses of potential pasts, presents, and futures. MirrorTimeMirror invites us to reflect on our perceptions of time and space by navigating through mirrored time, and to consider the possibilities of what might exist beyond our linear understanding of time.

Black Quantum Futurism is an interdisciplinary creative practice between Camae Ayewa and Rasheedah Phillips that weaves quantum physics, Afrofuturism, and Afrodiasporic concepts of time, ritual, text, and sound to create counter-histories and Black Quantum Womanist futures that challenge exclusionary mainstream versions of history and the future. Black Quantum Futurism has created a range of community-based projects, performances, experimental music projects, installations, workshops, books, short films, and zines, including the award-winning Community Futures Lab and the Black Woman Temporal Portal. BQF has presented, exhibited, and performed at documenta fifteen (Kassel, 2022), Chicago Architecture Biennial (2019), Village of Art & Humanities (Philadelphia, 2021), Manifesta 13 (Marseille, 2020), ApexArt NYC (2020), ICA London (2019), Metropolitan Museum of Art (NY, 2019), MoMA PS1 (NY, 2017), and more.<\/p>\n<\/div>\n\n\n\n

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Mit MirrorTimeMirror pr\u00e4sentiert das K\u00fcnstler:innenkollektiv Black Quantum Futurism im Hohlk\u00f6rper der Deutzer Br\u00fccke eine komplexe Klang- und Videoinstallation, die sich mit den schattenhaften Tiefen von Zeit, Klang, Echo und Licht auseinandersetzt. Diese Ph\u00e4nomene k\u00f6nnen in der Reflexion eines Spiegels ver\u00e4ndert, verfremdet und manipuliert werden, um eine Realit\u00e4t zu erschaffen, die in einer eigenen Raum-Zeit-Ebene parallel zu unserer eigenen zu existieren scheint.

Durch die Begegnung mit Spiegelungen, Lichtbrechungen und verzerrten, umgekehrten Kl\u00e4ngen, die an Echos erinnern und von den Br\u00fcckenw\u00e4nden reflektiert werden, erhalten die Besucher:innen Einblicke in potentiell m\u00f6gliche Vergangenheiten, Gegenwarte und Zuk\u00fcnfte. MirrorTimeMirror l\u00e4dt dazu ein, \u00fcber unsere Wahrnehmung von Zeit und Raum nachzudenken, indem man durch eine Spiegelzeit navigiert und alle M\u00f6glichkeiten in Betracht zieht, was jenseits unseres linearen Zeitverst\u00e4ndnisses existieren k\u00f6nnte.<\/p>\n\n\n\n

Black Quantum Futurism ist das interdisziplin\u00e4re k\u00fcnstlerische Projekt von Camae Ayewa und Rasheedah Phillips, das Quantenphysik, Afrofuturismus und afrodiasporische Zeit-, Ritual-, Text- und Klangkonzepte miteinander verbindet, um Gegenerz\u00e4hlungen und Black Quantum Womanist Futures zu erschaffen, die etablierte Geschichtsnarrative \u00fcber historisch marginalisierte Menschen in Frage stellen. Black Quantum Futurism haben ihre Arbeiten in zahlreichen internationalen Ausstellungen gezeigt, darunter in Institutionen wie documenta fifteen (Kassel, 2022), Village of Art & Humanities (Philadelphia, 2021), Manifesta 13 (Marseille, 2020), ApexArt NYC (2020), ICA London (2019), Metropolitan Museum of Art (NY, 2019), Chicago Architecture Biennial (2019), MoMA PS1 (NY, 2017) und vielen anderen.<\/p>\n\n\n\n

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Black Quantum Futurism 2023
Foto\u00a9Erica Weitz<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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ARCHIV 2023<\/p>\n\n\n\n

Fotos von Almut Elhardt<\/p>\n\n\n\n

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ARCHIV 2023<\/p>\n\n\n\n

Fotos von Albrecht Fuchs<\/p>\n\n\n\n

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Br\u00fcckenmusik 2828. Juli\u20136. August 2023 Black Quantum FuturismMIRRORTIMEMIRROR Deutzer Br\u00fccke, K\u00f6ln MarkmannsgasseToreinfahrt gegen\u00fcber vom Drumcenter Markmannsgasse 9-11 Anfahrt Organisation: Heike Ander, Friedemann Dupelius, Meryem Erkus, Sebastian von der Heide, Theresa Nink, Dirk Specht, Volker Zander Gef\u00f6rdert von:Kulturamt der Stadt K\u00f6ln und dem Ministerium f\u00fcr Kultur und Wissenschaft des Landes Nordrhein-Westfalen. en\/ Black Quantum Futurism presents … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-2755","post","type-post","status-publish","format-standard","hentry","category-bm28-2023"],"_links":{"self":[{"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/posts\/2755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2755"}],"version-history":[{"count":10,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/posts\/2755\/revisions"}],"predecessor-version":[{"id":3079,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=\/wp\/v2\/posts\/2755\/revisions\/3079"}],"wp:attachment":[{"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brueckenmusik.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}